I have a big bag of money from around the world--some of it I collected on my own travels, and some of it my mom gave me. I've hung on to it for years. Wouldn't it be cool, I thought, to use some of these coins in a piece of jewelry? But alas, I lacked the patience to drill them. (This is why I need a drill press.) So they languished in a drawer. I ran across them again yesterday, and pulled them out and pawed through them for a while, reminiscing, and put them away again.
Today I decided it was time to seriously work on my inventory for the little component shop I have in mind. I started working on some charms with some wire weaving, idly thinking about what a pain in the ass etching is and how beat up my brass texture sheets are and isn't there anything lying around the house somewhere that I could use to pound a cool texture---
OH MY GOD. THE COINS.
I leapt up, the Metal Muse on my tail. I was driven now.
I furiously dug in the drawer for the bag of coins, hauled them out and dumped them on the living room floor (where I do my hammering, hunched over like a Balinesian basket maker.) I pawed hungrily through them, looking for patterns, lettering, borders...
I found some with intriguing, intricate patterns and decided what I would do.
I annealed my copper pieces in the torch (until they glowed orange), quenched, pickled and cleaned them.
I took the first one, and positioned it atop a coin:
I fastened it in place with painter's tape:
Then I pounded the crap out of it with various hammers (with the coin underneath my copper shape), first with my really big one, then a little tapping in the center with my chasing hammer to make sure the center of the design was deeply impressed in the metal.
Et regardez!
Cool, right?
I did a bunch more with the more artistic looking coins:
The coins I eventually chose were from Japan, South Africa, Mexico, Swaziland and a bunch of British coins that I think my grandmother might have picked up on a vacation somewhere--the British ones are all from the late 50s and early 60s. The designs on them are fabulous! The beauty of these coins is how tough they are--they really take a beating! And they don't really cost anything.
I like how the copper shapes look almost like relics--like those misshapen coins you see brought up from sunken ships.
These will be destined for clasps, focals, connectors, and maybe even a little pair of earrings. I might attempt a little patina embellishment on them.
Stay tuned for the finished products!
Sunday, March 18, 2012
Sunday, March 11, 2012
Letting Go of Preciousness
| Pink Champagne |
I am the absolute worst about agonizing over every little detail in a piece, as if somehow every little detail has to feel exactly right or the whole piece will be a failure. Pretty silly, there really is no "right"--tomorrow I'll feel different about that little detail anyway so might as well just stick some stuff together and move on. The pendant below features a focal of pink fire agate (it so reminds me of pink champagne), lampwork in encased khaki by Kelley Wenzel, and more lampwork in pale coral pink and sherbet from The Spacer Shop.
I finished two other pieces I had been wanting to make with this same front toggle closure. The focal on this one is a festive "fiesta bead" from Indonesia (via Happy Mango Beads)--it makes me think of summer and margaritas!
| Margarita |
This last one is an idea I've been working on--I had done a prototype earlier with a green button, but I needed to tweak it a little. This one has a clear button of recycled glass from Happy Mango Beads, with a circle of art paper underneath that I sealed with several coats of decoupage medium. It's fastened to a copper base with ball headpins.
| Spring |
I'm waiting for the weather to warm up so I can do a trial run with resin. Sounds like I need to put about 10 more coats of Mod Podge on my art paper before I can do that step. Oy. Not sure if I'll have the patience.
Saturday, March 3, 2012
Bead Soup Blog Hop
This was my very first Bead Soup! Many people know I don't like being told what to do (so I rarely do things like color challenges or kickboxing classes), so this was a real stretch--not only being told what colors to use, but what ACTUAL BEADS to use. Good thing my partner was Donna Millard! She sent me some fabulous lampwork, and some great accompaniments for them. I don't usually go for bright colors, but I had admired this set of beads in Donna's shop, and bless her heart she sent them to me!
Here's a picture of the raw materials from Donna (lampwork spacers and large tablets, Czech glass flowers, vintage tin discs, beadcaps and connectors, a brass toggle clasp, lucite flowers in various colors, and metallized plastic coppertone beads.)
There was more than enough to make a few pieces. I started with a necklace, and decided copper would go nicely with both the orange and the aqua in the lampwork beads.
The little lampwork spacers Donna sent with the large tablets were, of course, perfect accents, so I used those, and threw in a few favorite copper beads, some of my own copper beadcaps, and the vintage tin caps, linking all together with copper wire. The Czech glass flowers in aqua were just perfect to dangle from the lampwork focal, along with a copper flower charm. I just happened to have some fabulous hand-dyed silk ribbon in lime green, which tied in the lucite flower in lime. I added some rectangular link chain, and that was that!
Next I thought I would do a bracelet. I used essentially the same elements as for the necklace, minus the copper beads:
I created a toggle clasp with the focal bead, and again used the lampwork spacers, tin beadcaps, lime lucite flower, Czech flowers, silk ribbon and carnelian. I also added a little verdigris patina beadcap by Shannon LeVart on top of a faceted round of red agate. I strung the beads on Beadalon in "satin copper", with tiny emerald green seed beads in between to give some drape between the beads.
Next I decided I would try some earrings with the little tin discs, combining them with some patinated copper rings by Shannon LeVart, and seed beads. The vintage floral design adds a nice touch!
I also wanted to do some earrings with the tin beadcaps. I ran out of the lampwork spacers, so I pawed through my stash to find some gemstones that would work. These green aventurine roundels below were just the right shade of mint green--like a lighter version of the kelly green in the lampwork. I mixed them up with tiny turquoise heishi, and hand-formed copper earwires embellished with bright turquoise blue seed beads.
I'm so tickled to have a few of the wonderful focal beads left. I can't wait to use them again!
Be sure to visit the other Bead Soup participants!
Here's a picture of the raw materials from Donna (lampwork spacers and large tablets, Czech glass flowers, vintage tin discs, beadcaps and connectors, a brass toggle clasp, lucite flowers in various colors, and metallized plastic coppertone beads.)
There was more than enough to make a few pieces. I started with a necklace, and decided copper would go nicely with both the orange and the aqua in the lampwork beads.
The little lampwork spacers Donna sent with the large tablets were, of course, perfect accents, so I used those, and threw in a few favorite copper beads, some of my own copper beadcaps, and the vintage tin caps, linking all together with copper wire. The Czech glass flowers in aqua were just perfect to dangle from the lampwork focal, along with a copper flower charm. I just happened to have some fabulous hand-dyed silk ribbon in lime green, which tied in the lucite flower in lime. I added some rectangular link chain, and that was that!
Next I thought I would do a bracelet. I used essentially the same elements as for the necklace, minus the copper beads:
I created a toggle clasp with the focal bead, and again used the lampwork spacers, tin beadcaps, lime lucite flower, Czech flowers, silk ribbon and carnelian. I also added a little verdigris patina beadcap by Shannon LeVart on top of a faceted round of red agate. I strung the beads on Beadalon in "satin copper", with tiny emerald green seed beads in between to give some drape between the beads.
Next I decided I would try some earrings with the little tin discs, combining them with some patinated copper rings by Shannon LeVart, and seed beads. The vintage floral design adds a nice touch!
I also wanted to do some earrings with the tin beadcaps. I ran out of the lampwork spacers, so I pawed through my stash to find some gemstones that would work. These green aventurine roundels below were just the right shade of mint green--like a lighter version of the kelly green in the lampwork. I mixed them up with tiny turquoise heishi, and hand-formed copper earwires embellished with bright turquoise blue seed beads.
I'm so tickled to have a few of the wonderful focal beads left. I can't wait to use them again!
Be sure to visit the other Bead Soup participants!
1. Adlinah Kamsir (Singapore) and Hajer Waheed (Kingdom of Bahrain)
2. Adrienn Lukacs (Hungary) and Agata Grygiel (Poland)
3. Agi Kiss (Hungary) and Carolien Muller-Genger (the Netherlands)
4. Agnes Asztalos (Hungary) and B.R. Kuhlman
5. Alesha Conklin and Becki Mendivil
6. Alice Peterson and Carol Dillman
7. Alicia Marinache (Canada) and Dita Basu
9. Amanda Tibbetts and Andrea Trank
11. Andra Weber and Christine Murrow
12. Ann Sherwood and Diane Welte
13. Barbara Bechtel and Kerry Bogert
14. Barbara Lewis and Cat Pruitt
15. Bonnie Coursolle (Canada) and Fay Wolfenden (Canada)
16. Carmel McGinley (Australia) and Tracy Stillman (Australia)
17. Cassie Donlen and Deryn Mentock
18. Cathie Carroll and Janel Dudley
19. Cece Cormier and Morwyn Mullins
20. Charlene Jacka and Christina Hickman
21. Cheryl Brown (Canada) and Diana Ptaszynski
22. Christina Stofmeel (the Netherlands) and Eva Kovacs (Hungary)
23. Christine Damm and Deb Brooks
24. Cilla Watkins (Canada) and Elaine Robitaille (Canada)
27. Cory Celaya and Rhea Freitieg
28. Courtney Breul and Dana Hickey
29. Cynthia Abner and Jennifer Boreck
30. Cynthia Tucker and Jean Peter
31. Debbie Goering and Heidi Post
32. Dee Elgie (UK) and Joanne Lockwood (UK)
33. Dian Hierschel (Germany) and Eniko Fabian (Austria)
34. Diane Cook and Lyn Foley
35. Donna Bohler and Lisa Lodge
36. Donna Millard and Kiersten Giles
37. Doris Stumpf (Germany) and Eszter Czibulyas (Hungary)
38. Elisabeth Auld and Eva Sherman
39. Elke Leonhardt-Rath (Germany) and Marjolein Trewavas (UK)
40. Ema Kilroy and Laurie Keefe-Cecere
41. Erika Nooteboom (the Netherlands) and Giorgia Rossini (Italy)
42. Erin Grant and Jean Wells
43. Evelyn Duberry (Canada) and Gaea Cannaday
44. Genea Crivello-Knable and Heather Powers
45. Ginger Bishop (military, Okinawa) and Martina Nagele (Germany)
46. Heidi Kingman and Lori Greenberg
47. Helen Kemp and Lisa Wangeman
48. Helene Goldberg (Australia) and Karen Vincent
49. Jamie Hogsett and Jeannie Dukic
51. Jennifer Cameron and Tania Spivey
52. Jennifer Justman and Kari Carrigan
53. Jennifer Tough and Lorelei Eurto
54. Joanna Matuszczyk (Poland) and Julianna Kis (Hungary)
55. Joanne Tinley (UK) and Michaela Pabeschitz (Austria)
56. Julie Anne Leggett and Kelley Fogle
57. Karen Hess and Linda Landig
58. Karyn Bonfiglio and Kathleen Lange Klik
59. Kashmira Patel and Kat White
61. Kathy Lindemer and Rose Binoya
62. Krafty Max and Sandra Miller
63. Kristen Latimer and Pam Ferrari
64. Kristie Roeder and Lea Avroch
65. Kristina Johansson (Sweden) and Penny Neville (Canada)
66. Krisztina Erlaki-Toth (Hungary) and Nicole Keller (Germany)
67. Lara Lutrick and Lisa Suver
68. Laura DeMoya and Lisa Hanna
69. Libby Leuchtman and Melanie Brooks
70. Linda Koch and Rosemarie Cowit
71. Lisa Chapman and Menka Gupta
72. Lisa Liddy and Marion Simmons
73. Lori Anderson and Marcie Abney
74. Lori Bowring-Michaud and Mary Govaars
75. Lori Dorrington and Maria Rosa Sharrow
76. Lori Finney (Canada) and Marie-Noel Voyer-Cramp (Canada)
77. Lynn Bennett and Mandi Ainsworth
78. Marta Kaczerowska (Poland) and Milla Starchik (Canada)
79. Mary Harding and Shannon LeVart
81. Melinda Orr and Molly Alexander
83. Michelle Jensen and Sandra Young (Canada)
84. Nan Emmett and Nicole Valentine-Rimmer (Canada)
85. Nancy Boylan and Suzette Bentley
86. Natasha Lutes and Patti Vanderbloemen
87. Pam Hurst and Rebekah Payne
88. Patty Miller and Sara Rhoades
90. Rebecca Sirevaag and Sharon Driscoll
91. Rochelle Brisson and Shannon Chomanczuk
92. Rosa Maria Cuevas (Mexico) and Tejae Floyde
93. Sabine Dittrich (Germany) and Sally Russick
94. Sandi Volpe and Sarah/Saturday Sequins
95. Shanti Johnson and Tracy Mok (Canada)
96. Skylar Brez and Theresa Buchle
97. Sonya Stille and Traci Zeller (Canada)
98. Stefanie Teufel (Germany) and Tania Hagen (New Zealand)
99. Stephanie LaRosa and Vonna Maslanka
100. Terri Wlaschin and Wendy Blum
Tuesday, February 28, 2012
Flower Child
Spring must be drawing nigh, because I just keep making these flower beadcaps...I have fuchsias on the brain!
With swirling berry lampwork from BeingBeads:
With icy blue Czech orbs and pearls:
With minty aventurine and Czech glass in "prairie green":
With Czech glass in semi-mirrored copper, with copper pearls:
With more lampwork by BeingBeads in delicious cobalt and kelly green:
With big fat roundels of glowing, milky opalite!
I have some flower caps in gunmetal-finish nickel ready to go too...Maybe tonight! "Rustic Blossoms."
With swirling berry lampwork from BeingBeads:
| Berry Blossoms |
| Ice Blossoms |
| Minty Blossoms |
| New Penny Blossoms |
| Cobalt Blossoms |
| Glowing Blossoms |
Monday, February 13, 2012
Some Earrings
I decided the weekend would be for earrings. I made five pair, and one more pair is half done.
This pair features little orange-red seed beads from my Bead Soup from Donna Millard, tiny green turquoise heishi, large blue magnesite discs, pewter heart charms, and ruffly sterling silver beadcaps. The magnesite and heart charms are from Happy Mango Beads.
This pair is based around some "oil slick" lampwork beads from BeadAbundant (Etsy). They have such a lovely antiqued brass shimmer, I had to combine them with brass. I added garnets and pale purple seed beads to bring out the plum tones.
I started with Karen Totten's ceramic leaf charms for this pair, and added some verdigris patina discs from Shannon LeVart, pewter birch leaf charms, and little seed beads in periwinkle. Sterling silver earwires. Birch leaf charms from Happy Mango Beads.
This pair is a little plain, but I really love these beads. The olive green is sort of glassy and rich. I like how the ivory base has some buttery golden patches, like a perfectly toasted marshmallow.
This pair below is my favorite new design. I wanted to try them first with just a smooth copper cap, but I think I would prefer them to be textured. They remind me of a fuchsia blossom--that's what I was going for with the little "stamens" dangling from the bottom. This pair sports a pair of lampwork beads from BeingBeads. I have another pair half done with green aventurine roundels and little Czech glass stamens in prairie green.
This pair features little orange-red seed beads from my Bead Soup from Donna Millard, tiny green turquoise heishi, large blue magnesite discs, pewter heart charms, and ruffly sterling silver beadcaps. The magnesite and heart charms are from Happy Mango Beads.
This pair is based around some "oil slick" lampwork beads from BeadAbundant (Etsy). They have such a lovely antiqued brass shimmer, I had to combine them with brass. I added garnets and pale purple seed beads to bring out the plum tones.
I started with Karen Totten's ceramic leaf charms for this pair, and added some verdigris patina discs from Shannon LeVart, pewter birch leaf charms, and little seed beads in periwinkle. Sterling silver earwires. Birch leaf charms from Happy Mango Beads.
This pair is a little plain, but I really love these beads. The olive green is sort of glassy and rich. I like how the ivory base has some buttery golden patches, like a perfectly toasted marshmallow.
This pair below is my favorite new design. I wanted to try them first with just a smooth copper cap, but I think I would prefer them to be textured. They remind me of a fuchsia blossom--that's what I was going for with the little "stamens" dangling from the bottom. This pair sports a pair of lampwork beads from BeingBeads. I have another pair half done with green aventurine roundels and little Czech glass stamens in prairie green.
Monday, February 6, 2012
Lune Grows Up
With its own little website!
I recently had a piece accepted for publication, and wanted to have a website link that could be included in the magazine (I didn't have one last time, which is why, I suspect, I got almost zero traffic from the article). I had an old domain name at GoDaddy I'd been hanging onto forever, and decided to activate it. I used Wix.com to design the site, and boy was it ever easy!!! You can design the whole site before spending a dime--so you know whether you want to spend the money--and the fees for a basic service are very reasonable. I highly recommend it! (I do NOT, however, recommend Website Tonight at GoDaddy--non-functional piece of junk.) This site was based on a pre-fab template, but you can change all the colors, backgrounds and photos to make it completely your own, and adding/subtracting elements is easier than falling off a log.
Here it is: www.lunestudio.com
I recently had a piece accepted for publication, and wanted to have a website link that could be included in the magazine (I didn't have one last time, which is why, I suspect, I got almost zero traffic from the article). I had an old domain name at GoDaddy I'd been hanging onto forever, and decided to activate it. I used Wix.com to design the site, and boy was it ever easy!!! You can design the whole site before spending a dime--so you know whether you want to spend the money--and the fees for a basic service are very reasonable. I highly recommend it! (I do NOT, however, recommend Website Tonight at GoDaddy--non-functional piece of junk.) This site was based on a pre-fab template, but you can change all the colors, backgrounds and photos to make it completely your own, and adding/subtracting elements is easier than falling off a log.
Here it is: www.lunestudio.com
Wednesday, February 1, 2012
Bead Soup Booty!
I got my Bead Soup package on Monday from my partner, Donna Millard. She very kindly sent me a set of lampwork I had admired in her shop (YES!!) They are the large tablets above in the wonderful patterns and colors--there were some coordinating spacers as well! I love this color combination. Donna also sent an assortment of lucite flowers, all in colors that coordinate with the lampwork, as well as an antique brass finish clasp, some of her vintage "cosmos" connectors and discs, handcut vintage beadcaps in the same retro floral pattern, and some copper finish beads. It was all very charmingly wrapped!
I have some ideas already, and I think I shall probably be making at least a few different items with my new stash!
And here is a picture of the collection I sent to Donna (which she has received so there's no spoiling the surprise):
Double flower clasp, flower connector, beadcaps, textured washer, and (although you can't really see it there at the back) a length of olive green leather lace with textured/riveted ribbon ends, all handmade by me from raw copper; rhyolite and ice flake quartz nuggets (in olive green); dark green and copper pearls; a couple of seed pod-like copper beads; Czech faceted glass in copper mirror finish; and a couple feet of rectangular rolo-type chain. Not a great picture but I had already put it all in baggies when I realized I had forgotten to photograph it and I was too tired (i.e., lazy) to take them all out again. Maybe Donna will have a better picture!
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